![]() MAS supports the use of a variety of audio hardware, including the Mac's built‑in audio under Sound Manager. Clearly this is an absolute minimum, and in my own experience anything at all ambitious will require at least a 300MHz G3 with 256Mb RAM. One of the most important new features in DP3 is the Sequence Editor, where detailed audio and MIDI editing can be carried out while retaining an overview of the sequence.ĭP3 will run as a MIDI‑only application on quite lowly Macs, but you'll need a 120MHz 604e running System 8.5.1 (or better) to record and play audio under the MOTU Audio System. It looked like Digital Performer was at last destined for the big league - so now that DP3 is finally here, how well does the reality stand up to the hype? Mac Requirements It was clearly due for a revamp, and not before time MOTU showed a pre‑beta DP3 at the NAMM show earlier this year with most remaining operational quirks ironed out and sporting a handsome new OS X‑inspired look, a new Sequence Editor which allowed audio and MIDI data editing in a single window, state‑of‑the‑art surround mixing capabilities, and support for multi‑processor Macs. Although versatile and very stable, this still looked a bit odd, had no dedicated surround‑sound support, and retained small but annoying inconsistencies, particularly relating to some editing and zooming actions. Until recently the most up‑to‑date manifestation of Digital Performer was version 2.72. Unsurprisingly, too, MOTU's widely used multi‑channel audio interfaces have always worked swimmingly with Digital Performer. Certainly the MOTU Audio System (MAS), which lies at the heart of Digital Performer's audio capabilities, has always sounded great, and 'MIDI Time Stamping' (MTS) technology was introduced in DP2.6 to provide sub‑millisecond MIDI timing precision when used with MOTU's range of USB MIDI interfaces. In the last couple of years, however, MOTU have added a steady stream of features and refinements to Digital Performer, many of which have been very classy indeed. This probably wasn't helped by the fact that various updates to Digital Performer version 2 were saddled with a few inconsistencies, and the program also had a very non‑standard user interface which took some getting used to. The latest and greatest incarnation of MOTU's flagship Mac sequencer adds full surround mixing support among many other new features.ĭespite very positive reviews in Sound On Sound and elsewhere, Mark Of The Unicorn's Mac‑only Digital Performer sequencer hasn't quite taken off in the UK market in the way that Logic and Cubase have.
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